Friday, November 15, 2013

The Chorus Repeats

Quick note: I read a different version of Antigone because my original copy went missing. The version I have does not have line numbers to reference, and is also translated slightly differently. I will do my best to cite. Here we go:


I am merely an onlooker, my thoughts verbalized for the benefit of the multitude. Oh, the things I have seen, heard, and inwardly felt! Creon, king of Thebes, has buried the fallen hero Eteocles, honorable in death, but has left the body of his brother to rot and fester. And so his actions should be, for Polynices betrayed our precious Thebes. Creon, a strong leader with an "arrogance [that] Transcends the wrath of Zeus" (near the end of Scene 2) has ordered that no living soul is to grant the traitor the honor of burial, lest they lose their own lives to the gallows. Yet, a sentry finds the body buried, and is quick to turn in the culprit. I sided with  Creon, saying "Never may the anarchic man find rest at my hearth"(last line of Scene 1) Then the identity of the criminal came to light. It was none other than Creon's niece, Antigone, sister to both Polynices and Eteocles. The girl was "like her father Oedipus, both headstrong and deaf to reason" (Scene 2, about a quarter of the way in). She was in folly to have buried her brother in direct disobedience to the law of the land. She deserved her imminent death.

Then I think of sweet, desolate Antigone. The poor girl has been left with only her fiance, Haemon, son of Creon, and her wisp of a sister Ismene, for a family. She honored her abandoned brother with a proper burial that is in fact prescribed by the gods themselves. She holds to a higher law than that of her uncle, "working the will of heaven" (last line of Scene 3) Her sister took her side, but did not stand on trial with her; her lover turned against his father in her defense, and still Creon resolved to kill her for her transgression. Antigone died a more noble death in her suicide than could be afforded by the gallows. Haemon takes his own life to be with his bride, his mother Euridice following suit in sorrow. Creon is left alone in the world, having been too late in his attempts at appeasing the gods in the burial of Polynices. His law has faltered to that of the gods, although he initially meant well.

In the end, the old priest Teiresias' prophecy was not wrong. He has never been wrong, and the reason as to why Creon ever doubted him lies with his reasoning for his hubris. Creon has learned a valuable lesson only tragedy could teach.


 


3 comments:

  1. This is super good Rachel! I feel like the Chorus was probably a difficult character to explain because they pretty much spoke as us in a way. Overall, I think you did a great job describing the ideas of the Chorus! You really couldn't have a solid argument for the Chorus, but I think you really made it work for you! Love you!

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  2. Rachel I thought that your description of the Chorus was perfect. Stating how they were "merely an onlooker" was perfect. I also liked the fact that you threw your own opinions in with the mix, and worded so perfectly. While I was reading this, it was almost like I was reading lines from the Chorus. You had the swaying of emotions, the like and dislike for characters, and the end opinion that they had. Great job on a very controversial part.

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  3. Rachel, this blog is going to pay off when all of you are reviewing texts in April in preparation for the test, because there's a great review of key events here! Perhaps that's the crux of the Chorus' identity: to observe and report. Your first quote inclusion struck me as somewhat incongruous because you were praising Creon as strong and then labeled him as "arrogant" which has a much more negative connotation. Did they perhaps think of him as arrogant all along? The rest of the blog accurately summarized the Chorus' journey from pro-Creon to dang-you-are-so-sad-now-Creon. Loved your description of Ismene as a "wisp"!
    13/15

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